Pamen Pereira

A Coruña, España, 1963

Since 1986, her work has been exhibited at various national and international galleries such as Trinta (Santiago de Compostela), Galería Post Pos (Valencia),Galería Víctor Martín (Madrid), Galería Paral·lel 39 (Valencia), Galería Antonio de Barnola (Barcelona), Galería Rafael Ortiz (Seville), Galería Altxerri (San Sebastián), Galería Artizar (La Laguna, Tenerife), Galería Maria Martín (Madrid), Barg Gallery (Teheran, Iran), Galerie d’art du Conseil Général des Bouches-du-Rhône (Aix-en-Provence, Marseille), Galería Astarté (Madrid), Galerie du CAUE (Limoges), Palazzo Pinucci and Galería Vía Larga (Florence), Palacio del Senado (Madrid), and Recent Gallery (Sapporo, Japan).
Her work has been shown internationally in countries such as the US, China, Dubai, Taiwan,… and at museums around the world, including the CGAC (Centro Galego de Arte Contemporánea), Museo de la Cultura de Galicia in Santiago de Compostela, MUSAC (Museo de Arte Contemporáneo in Castilla y León), IVAM (Instituto Valenciano de Arte Moderno), Museo de Lugo, Museo Esteban Vicente de Segovia, MACA (Museo de Arte Contemporáneo de Alicante), Museo de Bellas Artes de Caracas in Venezuela, Museum Zu Allerheilligen Schaffhausen in Switzerland, Cairo Opera House, Bibliotheca Alexandrina Arts Center (Alexandra, Egypt), Palacio del Senado in Madrid, Museo Nacional de Bellas Artes in Buenos Aires, Museo Nacional de Artes Visuales in Montevideo, Museo de la Ciudad (Querétaro, Mexico).
She has participated in national and international art biennials and fairs, such as ARCO Madrid, Art Chicago, Cologne, Nagoya in Japan, and Art Basel in Switzerland, among others. Her pieces are included in numerous public and private collections, and they have been extensively catalogued since 1989.
Her work moves between drawing, painting, sculpture, installation, and occasionally photography or video, or any other medium or useful material to materialise the creative act. Her creative process, generally fused with her life experience, is intertwined with Nature, from which she takes the majority of her images.
Without abandoning the solitude of the workshop as a place for reflection and study, from which her most intimate works have emerged, in recent years, her work has focused on installations and site specific art interventions, created for public and private spaces, as a challenge regarding the social nature of art, the role of the artist in society, and the important function of the poetic image.



Pamen Pereira 13 September, 2019 - 19 October, 2019
Tampoco el mar duerme II 4 September, 2015 - 17 October, 2015
El mundo entero es medicina III 1 June, 2012 - 28 July, 2012
Group ART 3 February, 2012 - 17 March, 2012